The Tortured Poets Department
4/19/24 // The Tortured Poets Department
the commentary
One of my favourite parts of the album listening experience is, of course, the new set of visuals that come with it. While there’s much to be said about interpreting clues, patterns, and preferences in aesthetic from the case study that candids provide, I view the album photoshoot as the most ‘canonical’ of every era. And oh *swoon* is this one ever beautiful. The original album cover set it up and the rest of the album’s photographs followed through to create a beautifully raw, desaturated world. One that provides ample space between all the black and white for the music to paint with all the shades of grey that its messy, complicated circumstances depict.
In this particular shot, I love that we get to see Taylor’s hair smoothed out into a more classical glamour shot with a low, off-shoulder garment that exposes her back. Again, underlining the vulnerability of the shoot itself and how that ties into its respective work. The only ornamentation we see is from her modern, curved #GraceLee earrings.
But what’s most interesting in this shot are what appears to be calla lilies resting on her shoulder. The flowers look so naturally tied into the shot they could almost be the ends of her hair or floral embellishments on the garment. Of course, Taylor being Taylor there’s a lot to possibly interpret from these flowers (the language of flowers is fascinating and there’s a lot of conflicting and wide-reaching symbolisms to each). That said, calla lilies are a common funeral service flower as they’re typically seen as symbols of resurrection and rebirth or purification of a departed soul. Broken calla lilies on tombstones often indicate someone who died before their time. With a lot of lyrical imagery across the album that centers on death, dying, and grief this makes the most sense.
The calla lily also has ties to other themes we’ve already seen Taylor opt into for #TTPD. First, the Victorian era, the lily having become popularized in the 1800s (the Victorian age was 1820-1914). Secondly, in Greek mythology as it’s often seen as the symbol of Hera (goddess of marriage).
Editorial Note: Original cover image captured by Beth Garrabrant - Taylor’s album photographer since folklore. In place of Beth’s image, for which she retains rights, I’ve commissioned a lovely demonstrative illustration by the talented Amelia Noyes.
the clothes
Feature Illustration by Amelia Noyes