FBC > LBD. That’s Fabulous Black Coat > Little Black Dress. 

It also looks like the event was celebrated with an Eras-themed dress code. The perfect way to commemorate a major moment in Taylor’s life.

From the proper midi length and styling (swept back bun + glittering accessories + pointed pumps) this look feels like a “ladies” elegant dinner out in the city.

This outfit has a lot of recognizable, repeat elements going on for it which is something Taylor does a lot with her fashion.

Taylor debuted a number of new costumes over the course of her Eras Tour dates in Miami which kickstarted this final leg of the tour. Amongst them were two debuts in the Midnights section.

Of the three versions of this dress that Taylor debuted over the course of her three nights in Miami, I think this one is my favourite.

I know some people express bafflement over the Speak Now set. Why so many gowns for just a single song set? My answer? Why not! We’re officially up to nine variants for this portion of the show. How fun(ny) would double digits be?

In a night full of plot twists (Exhibit A: There will be no explanation there will just be a second reputationbodysuit), the one that actually has me the most stumped is this designer switch during the Midnights set. 

The acoustic set dress has now had three design iterations, but eight total variants (accounting for different coloured versions for each design). To have brought her back into the fold for the Eras Tour felt like such a warm and lovely nod, indeed, to eras past. 

The Eras Tour is back for its final run and with it, of course, new costumes. Taylor debuted a handful during last night’s opening North American leg date in Miami, Florida - most by Fausto Puglisi for Roberto Cavalli.

Taylor recently attended the wedding of one of her cousins wearing a dress from a new-to-her brand: Montsand. The dress features a whimsical, woodland scene (omg folklore [Taylor’s Version]?!).

A brief moment of pride for me because I happened to predict a different look from this exact same collection for the MTV VMAs. I’ll take the win!

All-in, this felt like a cohesive night of looks to underpin TTPD’s aesthetic. The runway’s interplay of proportions and bustier-like top are very TTPD - sensual, emboldened, playing with what to reveal and what to hide.

While some wondered if Taylor would appear at any NYFW shows this week, a sporty outing to watch a fellow American Taylor (Fritz) in the US Open final is just as fun. And such great symmetry!

Someone got a haul of Gucci recently and decided to wear it all in one fell weekend. It’s not uncommon for Taylor to be brand loyal and to wear a slew of things from a single designer many times over, consecutively.

On this occasion, Taylor wasn’t heading into Electric Lady for a session - but for a wedding! With Travis as +1, the two were guests to the nuptials of model Karen Elson and Electric Lady Studios owner Lee Foster.

Many may have noticed a recent accessory addition to the Tortured Poets costuming on the Eras Tour: a sleek pair of triple dart leather gloves. The addition comes as a functional fix to combat chilly temperatures on this particular stretch of dates in the United Kingdom.

Taylor first debuted the Tortured Poets section when she kicked off the European leg of the Eras Tour in Paris. I had wondered aloud when/if we would see alternate versions of this dress with other TTPD lyrics scrawled across it.

How amazing is it to see a more glamourous revival of a dress that was once just a simple, shin-length gown? And those ballet flats! 

I’m not quite sure what outing Taylor wore this LBD for while out in Las Vegas (after party, out to dinner, another event) but what I do know is this is a very important designer.