If you were wondering why this outfit worked so seamlessly to mimic the high waisted shorts of the RED Era, it’s because Taylor’s red ombre bodysuit (worn underneath here) were designed perfectly to look like a regular pair of shorts.

This is Taylor Swift at her most classic for the stage - a fringed, sparkly dress and boots. It doesn’t get more staple than that.

Welcome to The Eras Tour, everyone. Here, we begin a comeback tour where we seemingly last left off: With not only the first album under Taylor’s new record contract that she owns but that also had its live iteration cancelled.

If you were wondering why this outfit worked so seamlessly to mimic the high waisted shorts of the RED Era, it’s because Taylor’s red ombre bodysuit (worn underneath here) were designed perfectly to look like a regular pair of shorts.

It’s a very Taylor outfit that plays with layering, interesting colour combinations, and schoolgirl accents (which checks the boxes for a lot of her street style moments).

I love Taylor’s entire hair and beauty look here! So laidback and free, and the bright pop of colour from her spring coral Keds offsets those tanned legs perfectly.

I almost got a brief Faith Connexion vibe from this dress given the waist-tie detail which was so common amongst those pieces back in the reputation days. But, of course, this is another FP piece for Taylor. 

As I personally suspected upon seeing the images, according to an article via People, Taylor styled herself — hair and makeup included. 

Though it’s difficult to tell given the low-res images, it appears that Taylor is wearing this pair of laceless leather brogues. Based on the contrast trim around the sole and heel as well as wingtip cut.  

This is not exactly the chic, fashionable return to New York City I desperately yearned to see from Taylor. 

As Reputation Taylor looks on at a pile of her own previous identities, she’s wearing a custom crushed velvet and faux fur sleeved Phillip Plein bodysuit.

As Taylor described this as 2017′s only concert, she sure made it count with this intricately sheer top and tassel skirt combo from Versace. Obviously inspired by the Spring 2016 Atelier collection, it’s yet another sparkly all-black stage outfit I can get on board with.

As expected, Taylor’s outfit for her only performance in 2016 was custom and sparkly. A fun thing worth noting is the continued use of chokers in her outfits.

Clearly inspired by the glittery seamless jumpsuit into bootie outfits we saw Taylor perform this song in on tour, Taylor brought out a backless and contrast side mesh black jumpsuit to open up this year’s Grammys.

Taylor spends most of her time on tour in a pair of Stuart Weitzmans, wearing four different styles of the brand throughout her 11 costume change. However, she relies on the sturdiness of her five customized 4″ ‘Gran’ boots the most.

Taylor’s corset and lace dress is by Greg Lauren. I really dig the rocker chick vibe from this look and it’s almost a sexier, five shots in a bar grown up version of her “All Too Well” RED Tour look. 

I’m completely in love with this outfit and the fact that Taylor has revived a TSS-er favourite.

Taylor customized her Les Paul by forgoing the pickguard and identification plates on the headstock as well as refinishing it in a sparkle red colour.

A sparkly mini, curled updo and Christian Louboutin heels created the Taylor trifecta at the 2009 BRITs.

This outfit for a very long time held a position in my top favourite outfits that Taylor had worn.