This dress was incredibly fun in motion - the degradé here is thanks to thousands of hand-applied Swarovski crystals.

As a former dancer myself who’s done a chair dance, I respect and feel a kinship towards Taylor challenging herself with more intricate and highly choreographed numbers on this tour. It’s even more impressive when you consider that the number appears on the tour’s final section of a three hour show.

This is Taylor Swift at her most classic for the stage - a fringed, sparkly dress and boots. It doesn’t get more staple than that.

Welcome to The Eras Tour, everyone. Here, we begin a comeback tour where we seemingly last left off: With not only the first album under Taylor’s new record contract that she owns but that also had its live iteration cancelled.

If you were wondering why this outfit worked so seamlessly to mimic the high waisted shorts of the RED Era, it’s because Taylor’s red ombre bodysuit (worn underneath here) were designed perfectly to look like a regular pair of shorts.

For her performance of “IDSB”, Taylor served up a hybrid version of two bodysuits she wears on tour plus a pair of boots she also wears on tour. 

Taylor’s corset and lace dress is by Greg Lauren. I really dig the rocker chick vibe from this look and it’s almost a sexier, five shots in a bar grown up version of her “All Too Well” RED Tour look. 

What a coincidence that Taylor and Demi should hang out on the very same day that TSS announces DLovatos Closet as its latest affiliate.

A sparkly mini, curled updo and Christian Louboutin heels created the Taylor trifecta at the 2009 BRITs.

This outfit for a very long time held a position in my top favourite outfits that Taylor had worn.